{"id":9232,"date":"2021-06-23T00:00:00","date_gmt":"2021-06-22T23:00:00","guid":{"rendered":"https:\/\/albayalde.org\/2021\/06\/23\/publication-de-larticle-aportacion-al-mapa-del-brocado-aplicado-en-el-territorio-historico-de-gipuzkoa-nuevos-casos-filiacion-entre-modelos-y-evolucion-estilistica-dans-le-magazine-ge\/"},"modified":"2025-07-07T06:02:07","modified_gmt":"2025-07-07T05:02:07","slug":"publication-de-larticle-aportacion-al-mapa-del-brocado-aplicado-en-el-territorio-historico-de-gipuzkoa-nuevos-casos-filiacion-entre-modelos-y-evolucion-estilistica-dans-le-magazine-ge","status":"publish","type":"post","link":"https:\/\/albayalde.org\/fr\/2021\/06\/23\/publication-de-larticle-aportacion-al-mapa-del-brocado-aplicado-en-el-territorio-historico-de-gipuzkoa-nuevos-casos-filiacion-entre-modelos-y-evolucion-estilistica-dans-le-magazine-ge\/","title":{"rendered":"Publication de l&rsquo;article \u00abAportaci\u00f3n al mapa del brocado aplicado en el territorio hist\u00f3rico de Gipuzkoa: nuevos casos, filiaci\u00f3n entre modelos y evoluci\u00f3n estil\u00edstica\u00bb, dans le magazine Ge-conservacion, 19(1)."},"content":{"rendered":"<p class=\"MsoNormal\"><span lang=\"FR\" style=\"font-size: 10pt;line-height: 107%;font-family: Verdana, sans-serif\"><span lang=\"FR\" style=\"font-size: 10pt;line-height: 14.2667px\">Cet article pr\u00e9sente trois \u0153uvres&nbsp;<\/span><span lang=\"FR\" style=\"font-size: 10pt;line-height: 14.2667px\">sculpt\u00e9es provenant de Gipuzkoa (Espagne, Pays Basque), dans les quelles la pr\u00e9sence de la technique polychrome du brocart appliqu\u00e9 n&rsquo;avait pas \u00e9t\u00e9 d\u00e9tect\u00e9e jusqu&rsquo;\u00e0 pr\u00e9sent. Il s&rsquo;agit des retables de l&rsquo;Oratoire de Loiola (1498-1512) et de San Martin de Azpeitia (1521) ainsi que la sculpture de la Vierge \u00e0 l&rsquo;Enfant de Zumaia (vers 1500).<\/span><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"FR\" style=\"font-size: 10pt;line-height: 107%;font-family: Verdana, sans-serif\">L&rsquo;analyse de leurs mod\u00e8les de brocart a motiv\u00e9 la r\u00e9vision formelle de cette technique <\/span><span lang=\"FR\" style=\"font-size: 10pt;line-height: 107%;font-family: Verdana, sans-serif\">dans <\/span><span lang=\"FR\" style=\"font-size: 10pt;line-height: 107%;font-family: Verdana, sans-serif\">le territoire, r\u00e9v\u00e9lant des filiations complexes entre les retables situ\u00e9s dans la r\u00e9gion et m\u00eame dans des villes plus \u00e9loign\u00e9es. Une classification stylistique simple de ces retables est \u00e9galement propos\u00e9e, puisque leur p\u00e9riode de production co\u00efncide avec la transition de deux styles artistiques: le gothique tardif et le d\u00e9but de la Renaissance.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cet article pr\u00e9sente trois \u0153uvres&nbsp;sculpt\u00e9es provenant de Gipuzkoa (Espagne, Pays Basque), dans les quelles la pr\u00e9sence de la technique polychrome du brocart appliqu\u00e9 n&rsquo;avait pas \u00e9t\u00e9 d\u00e9tect\u00e9e jusqu&rsquo;\u00e0 pr\u00e9sent. Il s&rsquo;agit des retables de l&rsquo;Oratoire de Loiola (1498-1512) et de San Martin de Azpeitia (1521) ainsi que la sculpture de la Vierge \u00e0 l&rsquo;Enfant de&#8230;<\/p>\n","protected":false},"author":1,"featured_media":9229,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1,3],"tags":[],"class_list":["post-9232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categorizar","category-non-classifiee"],"acf":[],"_links":{"self":[{"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/posts\/9232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/comments?post=9232"}],"version-history":[{"count":1,"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/posts\/9232\/revisions"}],"predecessor-version":[{"id":22632,"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/posts\/9232\/revisions\/22632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/media\/9229"}],"wp:attachment":[{"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/media?parent=9232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/categories?post=9232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albayalde.org\/fr\/wp-json\/wp\/v2\/tags?post=9232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}