{"id":3885,"date":"2013-02-17T11:47:11","date_gmt":"2013-02-17T10:47:11","guid":{"rendered":"https:\/\/albayalde.org\/publicaciones\/el-retablo-de-errenteria-2\/"},"modified":"2024-05-16T16:24:49","modified_gmt":"2024-05-16T15:24:49","slug":"el-retablo-de-errenteria-2","status":"publish","type":"publicaciones","link":"https:\/\/albayalde.org\/en\/publicaciones\/el-retablo-de-errenteria-2\/","title":{"rendered":"2013 &#8211; The altarpiece of the Coronation of the Virgin. Parish Church of the Assumption in Errenteria."},"content":{"rendered":"<p><!-- \/* Font Definitions *\/ @font-face {font-family:\"&#65325;&#65331; &#26126;&#26397;\"; mso-font-charset:78; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1791491579 18 0 131231 0;} @font-face {font-family:\"Cambria Math\"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:-536870145 1073743103 0 0 415 0;} \/* Style Definitions *\/ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:\"\"; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:\"&#65325;&#65331; &#26126;&#26397;\"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:\"Times New Roman\"; mso-bidi-theme-font:minor-bidi;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:\"&#65325;&#65331; &#26126;&#26397;\"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:\"Times New Roman\"; mso-bidi-theme-font:minor-bidi;} @page WordSection1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} --><br \/>\nBarrio Olano, M.; Berasain Salvarredi, I. (eds): El retablo de la Coronaci\u00f3n de la Virgen. Parroquia de la Asunci\u00f3n de Errenteria. Diputaci\u00f3n Foral de Gipuzkoa.<\/p>\n<p>TABLE OF CONTENTS<\/p>\n<p>INTRODUCTIONS<\/p>\n<p>The sculpted Brabantine altarpieces with painted doors CATHELINE P\u00c9RIER-D&#8217;IETEREN<\/p>\n<p>The Brabant altarpieces and their expansion in Spain MAITE BARRIO OLANO &#8211; ION BERASAIN SALVARREDI<\/p>\n<p>1. HISTORICAL REVIEW <em>MAITE BARRIO OLANO &#8211; ION BERASAIN SALVARREDI<\/em><br \/>\n2. THE ERRENTERIA ALTARPIECE: STUDY AND ATTRIBUTION TEST <em>CATHELINE P\u00c9RIER-D&#8217;IETEREN<\/em><br \/>\n3. TECHNOLOGICAL STUDY OF THE SUPPORT <em>ION BERASAIN SALVARREDI<\/em><br \/>\n4. MEASUREMENTS, PROPORTIONS AND TOOL MARKS <em>JEAN ALBERT GLATIGNY<\/em><br \/>\n5. THE ALTARPIECE OF THE CORONATION OF THE VIRGIN UNDER THE MAGNIFYING GLASS OF THE DENDROCHRONOLOGIST <em>PASCALE FRAITURE<\/em><br \/>\n6. THE HISTORY OF RESEARCH INTO THE POLYCHROMY OF SCULPTURES AND THE AIMS OF RESTORATION <em>MYRIAM SERCK-DEWAIDE<\/em><br \/>\n7. TECHNICAL STUDY OF THE POLYCHROMY IN A COMPARATIVE PERSPECTIVE <em>MAITE BARRIO OLANO<\/em><br \/>\n8. THE RED LACQUERS OF THE FIFTEENTH AND SIXTEENTH CENTURIES: THE SPECIFIC CASE OF THE ALTARPIECE OF THE CORONATION OF THE VIRGIN IN ERRENTERIA (GIPUZKOA), SPAIN <em>JANA SANYOVA<\/em><br \/>\n9. RESTORATION INTERVENTION <em>MAITE BARRIO OLANO &#8211; ION BERASAIN SALVARREDI<\/em><\/p>\n<p>BIBLIOGRAPHY<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barrio Olano, M.; Berasain Salvarredi, I. (eds): El retablo de la Coronaci\u00f3n de la Virgen. Parroquia de la Asunci\u00f3n de Errenteria. Diputaci\u00f3n Foral de Gipuzkoa. TABLE OF CONTENTS INTRODUCTIONS The sculpted Brabantine altarpieces with painted doors CATHELINE P\u00c9RIER-D&#8217;IETEREN The Brabant altarpieces and their expansion in Spain MAITE BARRIO OLANO &#8211; ION BERASAIN SALVARREDI 1. HISTORICAL&#8230;<\/p>\n","protected":false},"featured_media":3880,"template":"","class_list":["post-3885","publicaciones","type-publicaciones","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/albayalde.org\/en\/wp-json\/wp\/v2\/publicaciones\/3885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albayalde.org\/en\/wp-json\/wp\/v2\/publicaciones"}],"about":[{"href":"https:\/\/albayalde.org\/en\/wp-json\/wp\/v2\/types\/publicaciones"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albayalde.org\/en\/wp-json\/wp\/v2\/media\/3880"}],"wp:attachment":[{"href":"https:\/\/albayalde.org\/en\/wp-json\/wp\/v2\/media?parent=3885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}